The marks must be placed exactly right, so that they do not need to be corrected, or muddied, by much polishing. To watch Frederick raise or planish a chalice on an iron at this stump is to watch an intricate dance: The influence of this design training has informed all of his silversmithing work: He has met movie stars, politicians, and even a Catholic cardinal because of his commissions. Being in the Navy allowed him to attend Harvard University and the Massachusetts Institute of Technology where he received his Aeronautical Engineering degree. Who's going to know?
Or the sterling silver chandelier in the style of the Arts and Crafts architects Greene and Greene, which the owner transported from Pasadena, California, to Lake Tahoe, Nevada - and built a new dining room to accommodate. When William Frederick raises or planishes a piece of silver, he is continuing a lifelong struggle for perfection that, ironically, he hopes will ultimately fail. He worked long, hard hours. May he rest in peace. I will miss not being able to drop in on a visit to Chicago but will cherish the memories. This background undoubtedly is responsible for the inventive structural form in some of his designs. Later, Frederick, himself a Chicago silversmith, visited Robert Bower, the shop's former business manager. It's often starts when I am presented with something, a work of art, a written phrase, a profound memory. I - on the other hand - was completely energised when I left the studio! Embedded in his objects are the personal qualities required to gain command of his field: Or the chalice commissioned by a seminarian who ran off to Las Vegas to become a dancer. He was a special person with an incredible talent that went far beyond his art form - a wonderful human being who was loved dearly by anyone who had the pleasure of being in his company. In a sense, that's what life should bean unfolding. A quote that always brings a smile to my face was one that I had heard often during the learning process. I turned my computer on early the following morning to see if there was any new news on Bill's health. I had enormous respect for his work ethic. Bill was always a realist! He supported my dream of a career in metalsmithing even though he was dealing with some pretty raw material when I arrived into the studio! Frederick calls this "hammering blind" - since the iron is hidden under the chalice, the right place to hit can only be sensed kinesthetically and by recognizing the sound of the hammer blows. Frederick's work, while impeccable, stands for more than a perfect workmanship. Anytime they were not using their Opera or symphony tickets we were recipients of a night out. In memory of Bill on the anniversary of his death on May 11, at age William Frederick was an elegant man with an amazingly rich life which included Ralph Arnold, his artist partner for 50 years. The final object stands as a visual and haptic record of the gesture of those marks. It's a learning process.
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